Gaia T. Linehan, Esq., is a civil litigation attorney at the San Diego office of Freeman Mathis & Gary. LLP. Her practice focuses on commercial litigation, employment law, and tort matters. She has handled many aspects of civil litigation from pre-litigation alternative dispute resolution through trial.
“There’s no right way to do the wrong thing.” Cynthia L. Stratton, managing partner of civil litigation and employment law firm Stratton & Green, ALC and SDCBA board member, was raised with this adage. But there are myriad ways to do the right thing. Stratton does the right thing by focusing on relationships and community.
Happy National Women’s Month!
My name is Catharine “Kate” McGlynn, and I am in my third year of practice. I have been involved with the New Lawyer Division since 2021 and this is my first year serving on the NLD Executive Committee. I am the 2024 Legal Education Co-Chair, so I am tasked with bringing you all some top-notch CLE events.
Ethics for New Lawyers
Inadequate client communication is typically one of the top complaints to the State Bar every year. This is unfortunate because keeping clients informed of developments in the representation is one aspect of the practice of law we can actually control.
A copyright is a form of intellectual property that protects an original work of authorship fixed in a tangible medium.1 Musical compositions and sound recordings are examples of the works protected under this area of law. An owner of a copyright has exclusive rights including,(1) to reproduce the copyrighted work; (2) to prepare derivative works; (3) to distribute copies or phonorecords to the public; (4) to perform the copyrighted work publicly; (5) to display works publicly, and (6) in cases of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.2 Music artists striving for fame can go independent, while some opt to contract with record labels to target a vaster audience. While there is much more control an artist may possess with their creativity and exploitation of their music going independent, the ample resources and deeper financial pockets of record labels are very alluring. But deeper financial pockets of record labels mean record labels having stronger bargaining power than the music artist, and unconscionability within the contract may occur, leaving the artist disadvantaged.
